|Posted by [email protected] on March 20, 2018 at 12:30 AM||comments (1)|
ROC TOO MANY ZOOZ
Sat. | March 24 | Montage Music Hall
By Christine G. Adamo
Write Revise Edit (dba "A-ha!" Creative)
TOO MANY ZOOZ
MATT DOE (Trumpet), right
LEO PELLIGRINO (Baritone Sax), left
DAVID "King of Sludge" PARKS (Drums), center
You know those long, deep European dial tones? Booooop. That’s what I got last week, when I called Matt Doe of TOO MANY ZOOZ to ask him about the band’s upcoming gig—this Sat., March 24—at Montage Music Hall (Rochester, NY). The trio formed roughly four years ago, via Manhattan School of Music.
An April 24, 2014, video (11:25) of them playing the Union Square subway platform in NYC has gotten 5,159,627 views on YouTube. You can view it HERE. In an age when people say attention spans are waning, thier viral video counts are no small feat. What’s their secret? Talent. (Duh, Christine). Vigorous energy. Passionate performance. Don’t be square, sitting at home like I do most cold Saturday nights. ROC weather ain’t that bad.
Me: Are you currently in Europe?
Matt: We’re in Paris right now. We’re out here doing a European tour. We just came out here a week ago and we’re here … until the 17th.
Me: How’s it going so far?
Matt: Good. [Silence.]
Me: A man of many words, huh? [Insert nervous laugh.] Is there a lot to like about Paris? Are you playing in the Metro? What’s going on?
Matt: I guess I’m just kind of used to this. We’ve been out here touring quite a bit. We don’t really have time to play in the subway. We mostly just try to do our routine: Get up, get in the van and drive to the next city. We get to sound check, play the sound check, have an hour or two to eat dinner and then play the show. We go to the hotel and then drive to the next city.
Me: Have you been to Europe before?
Matt: We lived in Paris for four months a long time ago. Ever since then, we’ve been here every year for at least a month.
Me: Nice! Are you promoting [2016’s Kickstarter funded] Subway Gawdz—or something else?
Matt: We’re working on new music—always. We have a bunch of new music that we’re sitting on and waiting on the right time to release. Until that happens, yeah, we’re promoting Subway Gawds. I mean, we’re really just getting out, seeing our fans, playing live shows and having fun.
Me: I bet that’s the fun part, being in front of people.
Matt: Tours can be pretty strenuous but the fun part is definitely getting in front of people.
Me: [Predictable journalist query.] Dare I ask, how does Europe compare to Rochester? Have you been to here before?
Matt: I’ve been to Rochester. I dunno, I mean, everywhere is just different and all people are different—always. “Europe,” as a whole, is like saying, “How does the United States compare to a city in … .”
Me: [Point taken.] What do you expect?
Matt: I’m not too familiar with Rochester. I don’t think we’ve ever played there, so it’ll be our first time, which should be cool.
INTERLUDE: Lately? It’s been warm. And it’s been cold. My advice to Matt was to prep for anything, weather-wise. After giving him a mini-geography lesson akin to, “It’s pretty far north right between Buffalo and Syracuse. Kind of an hour-and-a-half or so from Niagara Falls,” our interview continues.
Me: Are you guys going to Canada? It’s not a far stretch to get up to Toronto and Montreal. Is that where you’re going afterward?
Matt: Wait a second. Let me look. [Papers rustle, then nothing.]
Me: Hello … hello? Shit! [Dropped call. I try him again. Busy tone. He calls me. Y’gotta love good manners!] Matt?
Matt: Yeah, we’re going on to St. Catherines, [in Ontario,] Canada. That’s pretty close.
Me: [So, this is all about “me,” eh?] I love going up to Canada. My boyfriend’s a HUGE music fan. I mean, he goes to everything. We go to Toronto and Montreal frequently.
INTERMISSION: Leave it to me to continue stating the obvious [Could I have ADHD?], rambling. I tell Matt it’s nice to be that close. That Rochester’s a small city. That I guess you could say it’s “quaint.” That Montage is a pretty cool place. That it’s downtown. That downtown is tiny—“y’know, not all massive and metropolitan.” That it’s pretty “neat.” [Neat?!] That, if they’re looking to eat afterward, they should maybe try Mark’s Texas Hots. That it’s an artsy city.
Me: Montage … has a nice, big, open room. The stage is sort of set in a way that people can crowd all the way ’round. I think you guys will have a lot of room to move around, as well.
Matt: [Refreshingly succinct.] Nice!
Me: Yeah, yeah. I think you’ll like it. I hope you’ll like it. There’s a craving for really cool music around here. I think you’ll get a good reception.
INTERVAL: What do Matt (below) and my mother's snazzy 1960s era purse have in common?
Me: I was watching the Beyoncé CMA performance on YouTube. I caught a glimpse of you at Stage Right. That was you! It was great! It looked like a massive undertaking with all these people on stage. Was that exciting—to have a lot of people around?
Matt: Working with Beyoncé was totally a great learning experience. We have nothing but nice things to say about her, her team and the way we were treated. I mean, we had such a great experience all around.
Me: It looked like there were 20, 30 people up on stage. Do you remember anything in particular about the experience—a mood, an event, a face in the crowd?
Matt: Probably something like that. I mean, with the whole band and everything, probably around 20. Yeah, nothing comes to mind. Whenever I’m performing, it’s just … uh, kind of … I don’t know how to say it. I guess, when I’m performing, it’s just a different box. [A box?]
Every stage is different. It’s just about putting what you do and putting your artistic footprint into any situation, or kind of box, that you put yourself in. For us, it was just different to take what we do and kind of just …, I mean, that’s the beauty of collaboration.
It's just taking what you do, artistically, and mashing it with what other people do. Seeing how it works and what happens and if it’s something that’s cool and stuff like that. It was just really fun getting to go out and do that. Nothing in particular comes to mind, but it was just a great experience.
Me: [First I admit jealousy.] I hear that it sort of boosted sales of CDs and downloads and stuff. Did it? Was there much of an effect?
Matt: Yeah, I’m sure it did. I don’t much pay attention to that sort of stuff, but … um, I definitely think that—yeah, inherently—just being associated with Beyoncé and performing live on the Country Music Awards pushes viewership and exposure.
Me: Can I ask [as if I won’t] what’s the oddest—or most odd—gig you guys have ever played?
Matt: I dunno, we’ve played some pretty strange shows. We did a show in New Orleans one time that was, like, at this old hotel that someone had bought. It was, like, this clothing-optional pool party. So, that was pretty weird.
Me: Did it involve Bounce [music] or other artists?
Matt: It was just us, playing—as we do.
Me: Are you sitting there naked now, as we’re talking?
Matt: It definitely can get weird but, uh, you know. We’ll survive. [Laughs, as transatlantic time delay gives way.] It was a party, so it’s cool.”
Me: Is there a question you wish I had asked you?
Matt: Um, I dunno. Those questions were cool. [Laughs.] Yeah, I dunno. It’s all good. We’re just doing our thing and plugging along, y’know.
Me: [As an Arts Reviewer, you try not to ask standard things. Then there are the things you ask for personal reasons.] You’re a trumpet player and all. Are you a fan of Chet Baker? Or not?
Matt: Uh, yeah. I mean, I grew up listening to a lot of jazz trumpet players and Chet Baker was one of them—so, I definitely, um … yeah. I’m a fan of his trumpet playing.
Me: I’m excited to see you guys. [In earnest.] I’ll be at the show, so I’ll say, “Hi!”
Matt: Cool. Awesome, yeah. Please introduce yourself. Later. Thanks for calling.
UPCOMING: After Germany and Poland and before Europe again (Turkey, France, Belgium, Netherlands, etc.) the band plays on.
MAR 21: THE HAUNT (Ithaca, NY)
MAR 22: PEARL STREET (Northampton, MA)
MAR 23: HIGHER GROUND (Burlington, VT)
MAR 24: MONTAGE MUSIC HALL (Rochester, NY)*
MAR 26: WAREHOUSE (St. Catherine's, Canada)
MAR 27: RUM RUNNERS (London, Canada)
MAR 29: THE 27 CLUB (Ottawa, Canada)
MAR 30: PHOENIX THEATER (Toronto, Canada)
MAR 31: L'ASTRAL (Montreal, Canada)
BONUS: Video Big Band, ass-shaking sax stylings of Leo P.--pelvic thrusts and fancy footwork aplenty.
|Posted by [email protected] on May 10, 2017 at 10:05 AM||comments (0)|
"MWAH" Keeps the Hugs & Kisses Coming!
2017 Rochester International Film Festival Follow Up
By Christine G. Adamo
ABOVE: Iranian Filmmaker Sara Soheili at the Rochester Int'l. Film Festival (NY) and at the WorldFest in Houston (TX).
It's no wonder it's the longest-running, continually-held, short film festival ... in the world!
Over a long weekend, the 59th Annual Rochester International Film Festival enthralled throngs of eager movie goers from Rochester and beyond. Held April 20-22, 2017, at George Eastman Museum’s famed Dryden Theatre, it boasted near-capacity crowds at four distinct screenings and extended-stay visits from filmmakers and crew members representing cities or towns across the U.S., Canada, China, Iran, Israel and Spain.
One particular highlight was the bittersweet short film “MWAH” (12 min.).
Written and directed by Sara Soheili, who hails from Tehran, “MWAH” tackles the topic of untimely pregnancy with wit, wisdom and compassion. This was her first film venture as a Director and, she says, RIFF was the first U.S. festival to screen it. Maybe that’s why, since leaving Rochester on Sun., April 23, Soheili has kept in touch with area fans via Facebook, SnapChat and email—shooting off emoji hugs and kisses with regularity.
In the time since, she has visited L.A. and gone on to accept a 2017 Platinum Level Remi Award at WorldFest Houston. That’s a feat in itself, given that roughly 15% of all films selected into that festival receive juried awards like that one. She’ll once again find an audience for “MWAH” next Fri., May 19, when the film screens as part of the D.C. Asian Pacific American Film Festival lineup being shown in our nation’s capital.
ABOVE: "MWAH" tackles the topic of untimely pregnancy with wit, wisdom and compassion. (image: Sara Soheili).
Yesterday, I asked Sara what she liked most about our local festival.
“What I liked most about the Rochester International Film Festival,” she told me, “is how wonderful the hosts (and organizing members) are. They arrange lots of great events, screen the winning films in a lovely theatre and give filmmakers time to talk about their films with audience members who are also very artistic.”
Soheili has shared her film at several festivals since arriving stateside.
Still, she insists, “MWAH” had its U.S. Premier in Rochester—often referred to as the birthplace of film, with its connections to George Eastman and Eastman Kodak Co. That got me wondering: How did it feel to see it up on the big screen under those conditions? And how did our audience’s reaction to the film affect her?
“The audience was large and offered the best reaction to my film so far,” she explained. “In Rochester, it was clear that people had feelings about my film. They truly connected with it. They also sometimes laughed during the screening. I liked that! It proved that I can make a dramatic film that uses comedy (successfully).”
“I hope to see you (all) again soon.” xo
ABOVE: Sara Soheili, of Tehran, breaks for dinner at Blu Wolf Bistro prior to her U.S. Premier. (photo by cga)
The feeling’s mutual, Sara. xo Same goes for the rest of this year's amazing talent!
Filmmakers who traveled from abroad to attend the Rochester International Film Festival included: David Sanz (“La Parada/The Stop,” Spain, 18 min.), Yaniv Segalovich (“An Average Story,” Israel, 18 min.), Tian Xie (“Promise,” China, 16 min.) and Jake Kovnat (“On Days Like These We Must Surf,” Canada, 8 min.)—a Rochester native who now lives and, yes, surfs in the Toronto area.
U.S.-based filmmakers who made the trek to Rochester to participate in the fest included: Kai Carlson-Wee (“Riding the Highline,” 16 min.), Alvaro Cognosto (“The Suitor,” 12 min.), Chris Fiorentini (“Generation Gap,” 11 min.), Ben Hartley (“Early Mourning,” 14 min.), Ivo Huahua (“Stutter,” 14 min.), Steve O’Reilly/Andy Ferguson (“Going Public,” 16 min.) and Conor Chandler Simpson (“Pounce,” 13 min.).
Want to interview a RIFF filmmaker? Contact us for a hook up!
SARA SOHEILI was born in Mashhad, Iran, and holds a Bachelor’s degree in Microbiology from Islamic Azad University at Tehran. While completing her studies, she attended various Assoc. of Young Filmmakers workshops—honing her skills as an Actor, Cinematographer and Makeup Artist since the age of 19. She made “MWAH” in 2016, adding Film Production and Directing to her list of movie-based credentials.
|Posted by [email protected] on April 11, 2017 at 2:35 PM||comments (1)|
THRU MAY 13TH - "It’s Not Funny" (Or is it?) - RoCo
By Christine G. Adamo
When I was 7, I would slather myself in oil in hopes of catching a killer tan. I did this on the tar rooftop of the Ridgewood brownstone our Italian American family of seven kept a 2BR, 2nd story apartment in. This alongside my three grown sisters—two of whom shared a Castro convertible couch, in the living room, as a bed. They'd mist with water and run fresh-cut lemons along their miles-longer and lighter-than-my-own-tar-colored hair.
As I slunk into the background, they listened to “Night Fever” (Michelle was a whiz at The Hustle), “Yellow Brick Road” (Fran’s favorite) and “Black Betty” (Denise’s top pick, as with all things, for a short while). When I wasn't tagging along for tanning sessions, I watched a lot of TV with my only brother, Joey—who rocked the bunk beds in the back parlor slash sewing room off my parents’ dedicated bedroom with me and who remains my Pop idol. Long live Joe Cool.
“The Incredible Hulk” was a favorite. We’re talking original episodes here.
No reruns. No DVDs. No Netflix sprees. Afterward he’d flex his yet-to-develop muscles and “Grrrrr” in my face. I, like Bill Bixby’s Dr. David Banner, played his mild-mannered sidekick. Joey was obsessed with Lou Ferrigno. Me? Bixby earlier starred in “The Courtship of Eddie’s Father.” I swooned over Eddie (aka Brandon Cruz). I fell harder after interviewing The Dead Kennedys in So. Cal., when Cruz was the DK frontman.
Pop culture has a way confronting us with our past—when we least expect it.
Which brings me to the “It’s Not Funny” exhibit on display thru May 13 at Rochester Contemporary Art Center (137 East Ave. | Rochester, NY). The pics here offer a glimpse. Barbie. Ken. Bart Simpson. Mickey. Commonplace collectibles amid rare, precious gems. Pop icons from the past reconfigured to address modern concerns. The lone questionable icon who currently takes up space in our conscious collective.
“Grrrrr,” indeed. Then there’s Ferrigno. A slew of Ferrignos, in fact.
His hulking frame and larger-than-life musculature expertly mimicked in the talents of the artists whose work you’ll see. His status, as a figure looming large over pop landscapes, celebrated by art fans cozying up to this collection of diverse, provocative work. His sad sense of being misunderstood lurking in details: barely-there brush strokes or blatant examples of what we fix our attention on. (Like Facebook much?)
Whether you’re a Gen Xer (like me), a Baby Boomer (I'm admittedly borderline), a Millennial (I’m so bored with that term) or someone who defies categorization: You’ll find your memory jogged until it leaves you huffing and puffing or perhaps your psyche prodded until barely recognizable, as you stroll the 1st floor at RoCo in search of meaning. Whatever era it is you take comfort in, “It’s Not Funny” will take you there, to infinity and beyond
Participating artists hail from near and afar, spanning generations, and show work in various media both new and familiar: Airigami (aka Larry Moss and Kelly Cheatle, Rochester), Bob Conge (Rochester), Chris Cosnowski (Chicago), Dan Gunderson (DeLand, Fla.), Dina Goldstein (Tel Aviv, Israel), Tyler Bohm (Columbus) and Jason Schulmerich (Rochester).
RoCo Curator and Executive Director Bleu Ferrigno (errr, Cease) sums up the exhibit.
“Each artist used materials found in pop culture,” he told me, during a Thursday night preview, “which are commonplace and accessible. Yet, they gave them uncommon meaning as expressive tools, conveying deeper ideas (for a humorous and ironic take on) toys, play and pop culture while engaging some serious subject matter.”
It’s not funny! Or is it? You decide. Visit RochesterContemporary.org.
THIS ALSO @ ROCO: 6x6x2017
- Common folk: Submit an original 6-in. x 6-in. work of art!
- Entries due: Sun., April 16th (pick up a free “canvas” @ RoCo)
- Proceeds from the sales of donated 6x6x2017 works benefit RoCo.
- 6x6x17 Opening Party & Artwork Sale to be held June 3rd from 4-10pm.
|Posted by [email protected] on March 31, 2017 at 12:45 AM||comments (1)|
ROC FRIDAY | Check Out “The Power of the P”
By Christine G. Adamo
There is power in Poetry, Paint and Piano. Purpose itself is an art form.
So says Gianni S. White—better known on Facebook and in area arts circles as The Rebel Flower Bomb. Tomorrow night she presents a powerful, unique, multisensory event you won’t want to miss called “The Power of the P.”
Ariana Highsmith performs on keys and The Rebel Flower Bomb serves up some poetic justice, as both Pooker Astacio and Lavonne Barfield paint before a live audience .... bringing another dose of vivid color to the mix.
That's Fri., Mar. 31, 7-10 pm at Gallery 74.
“This is an event you do not want to miss,” The Rebel Flower Bomb explains. “Tell a friend to tell a friend, as we bring the Passion, the Pain, the Peace and most of all the POWER.”
Gallery 74 (aka Robert Thompson Photography Gallery) is on the 3rd Floor of Bldg. 3 at 215 Tremont St. (off Ford St.) in Rochester, NY 14608. Admission is $15. Expect light refreshments and bring cash, as afterward the highest bidder will walk away with a painting created on-site. Can we get some snaps for that?
Whoa, Back Up a Minute!
Let’s back up a minute. How'd this blogger stumble upon all of this in the first place? ROC-Arts got turned onto “The Power of the P” last weekend. On Sat., Mar. 25, The Rebel Flower Bomb and others gave explosive live readings during the Black Women’s Book Fair presented by the Rochester Genesee Valley Club arm of the Nat’l. Assoc. of Negro Business & Prof’l. Women’s Club, Inc. The nearby Phillis Wheatley Community Library was the hosting locale.
“I am so grateful for (this) to have been an opportunity for me,” she explained. “It was indeed very powerful.”
“I believe (events like it are) truly necessary and needed in Rochester—as well as the black community,as a whole. It is always an honor to share the stage with Professor Tokeya Graham, Lu Highsmith, Reenah Golden and Banke Awopetu-McCullough. It was even more rewarding to share the stage with Rochester pioneers.”
Part of her own readings included "This Is Why I'm DOPE!" (at R). The poem was written April 2015 and shared at that year’s annual Women’s Foundation of Genesee Valley Voices of Experience program, which seeks to inspire girls Grades 6 thru 12 to overcome challenges and to broaden paths to literacy and legacy-building for them.
“The poem is intended to empower women. Most of all women of color. I believe we all need to be encouraged. This poem defines the Power of women and the importance of a woman, in general. As a lesbian, I get both sides of a woman and can remind myself and others: We are powerful beings."
Even More Power to the P
Tokeya C. Graham helped emcee last weekend's Black Women’s Book Fair. Graham—an author, WAYO 104.3-FM radio host, ATHENA award finalist, D&C Woman to Watch and more—is Asst. Professor of English and Philosophy at Monroe Community College. The Rebel Flower Bomb (an MCC student) tells me she and Graham recently talked about honoring area leaders and building legacies of one’s own. Graham says she learned about the book fair when a friend posted a flyer on Facebook.
“I shared (it) with my writing collective, We All Write,” she told me. The group hosts a Facebook page by the same name. “I reached out to (NANBPW Member and Event Committee Chair) Alicia Ward by email and she invited our group to participate. I spoke with her on the phone and told her I would invite other performers, including my students.”
Ward then asked Graham to facilitate the panel discussion. She accepted.
“I hope the attendees were inspired to listen to poetry and to create poetry. I hope they were inspired to write books and to read more books, particularly those authored by Black women writers. I hope that they felt uplifted by all of the beautiful words that were shared in that space. I hope they recognized the significance of hearing poetry in a library named after the first Black woman to be a published poet.”
The event was powerful and empowering. Hence this post.
“These events are important because they illustrate the power of the written word. The event also provided a space for Black women authors to share their works. In these times of blatant disregard for the humanity and relevance of Black women, it's necessary to show the truth of Black womanhood—the beauty of it.”
Hey, I may be White but I could still relate. As a woman. As a concerned citizen. As a former Marine who's been used and abused by the sytem. And I was awestruck by the volume of the talent and voices which spoke so emphatically. You can be sure I won’t miss another Black Women’s Book Fair. If you know what’s good for you, you won’t miss another one either. As a primer, check out tomorrow night's offering at Gallery 74.
For tickets, search "The Power of the P" at EventBrite.com.
|Posted by [email protected] on October 21, 2016 at 12:40 AM||comments (0)|
Wanna Good Scream? Slip “Under the Shadow”
By Christine G. Adamo
Catch "Under the Shadow" at The Little Theater while you still can. Visit the TheLittle.org.
Her screams were unmistakable.
She was stunned. Mortified. Perhaps even terrified. She was? Me.
Sitting in L2, at The Little Theatre, I took in a pre-screening of the Persian film “Under the Shadow” (84 min.) with a handful of other brave folks. I’ll tell you now that I’m no fan of horror and am shocked that this entry only earned a PG-13 rating. Then again there were no sex scenes, no flashes of gratuitous nudity and nothing you could call overtly violent. Nothing obvious, that is.
I am, however, a fan of the undeniable realism, horrific undertones and stunning cinematography which characterize this film; a truly suspenseful social commentary. The 2016 release was written and directed by Babak Anvari. He's also known for the 2011 film “Two & Two,” described as “an allegory for the absurdness of dictatorship and tyranny and the resilience of the human spirit.”
His newest release ups the ante on all counts and, in the process, lifts the veil on the inherent horrors of patriarchy. Set in the late 1980s—as the Iran-Iraq War drew to a close—the film’s opening sequence sets the tone for what’s to come. We pan through the halls of an academic setting cast in stark white tones save for a raven-colored burqa worn by the protagonist, Shideh.
Narges Rashidi thrills as Shideh in "Under the Shadow" (directed by Anvari, 2016, 84 min.).
That role is played with vivid dimension by Narges Rashidi, whose own family fled Iran, in 1987, for Turkey and then Germany. It’s worth noting that Rashidi was named “Best Young Actress” at the N.Y. Int’l. Independent Film Video Festival, in 2007, for her role as Lolita in “A2Z.” If I had my way, she’d win an Oscar for her work in “Under the Shadow.”
The film’s synopsis describes a situation in which mother and daughter are struggling “to cope with the terrors of the post-revolution, war-torn Tehran of the 1980s (as) a mysterious evil begins to haunt their home.” That barely scratches at the surface of what lurks in every frame. Through a series of well-chosen camera angels and movements, we see Shideh’s world turn upside down.
A former medical student and cultural revolutionary, this young mother struggles to reconcile the relationships and forces which weigh on her: Her relationship with her mother, her relationship with her husband, her relationship with her daughter, her relationship with her neighbors, her relationship with institutions and her relationship with personal demons—each unyielding and oppressive of her ambitions, aspirations and actions.
A slew of contentious relationships ups the ante in "Under the Shadow," rated PG-13.
In the process, she struggles to hold it together both literally and figuratively.
A steady stream of pop culture references keeps viewers stuck in this '80s time capsule alongside Shideh, including a video clip of Yazoo’s 1982 hit song “Situation,” with its cautionary lyric: Don’t make a sound; just move out. Such references, however nostalgic, heighten the psychic and physical dangers women face as they reach for emancipation and empowerment.
“Under the Shadow” makes clear that—whether natural, supernatural or manmade—it is those forces that rest outside ourselves which are the most fearful of all, inducing anxiety and whipping up winds that put our dreams precariously out of reach. Brilliant, tense and suspenseful, this intellectual thriller takes horror to exciting new heights (a la "The Shining").
Several scenes in "Under the Shadow" surpass the scare level of "The Shining" even.
Catch “Under the Shadow” at The Little Theatre while you still can. Visit TheLittle.org for show times, which include a showing tonight (Thurs., Oct. 20), a matinee on Sat., Oct. 22, and another showing late Tues., Oct. 25.
And be sure to let me know if it makes you SOL. Uh, scream out loud.
|Posted by [email protected] on October 4, 2016 at 1:15 PM||comments (1)|
FRI., 10/7 - MIDGE URE at Montage
(10) Things to Know About Midge Pre-Show—and Then Some!
By Christine G. Adamo for ROC-Arts
Midge Ure plays Montage Fri., Oct. 7, so get your tickets now! (Photo Courtesy: Midge Ure | Photo By: Heiko Roith)
“There are many things I get involved with outside the regular areas of my music. Things I do with Save the Children and Band Aid. The various radio shows I narrate for the BBC. The books—print and electronic, audio and photograph. The oddities I seem to have been part of over the years alongside oddities I hope to be part of in the future. (I've created) a home for these orphans. Somewhere for this odd collection to reside.”
JAMES "MIDGE" URE
excerpt from LIFE on the artist’s Official Website
Are you a fan of phenomenal '80s music? '90s music?
Then you'll love this! Over the weekend I received an email from my friend Jennifer Sciarabba. (Really, we're friends! Ask her.) You may know her as Jen V., the creator and longtime host of “New Wave Wednesday,” airing weekly on WBER 90.5FM from 7-9am EST.
“One of my favorite artists of all time is coming to Rochester Friday night,” Jen enthused. “Meet me there and see an amazing performance of a world-class musician—Midge Ure—for less than it would cost to go out to dinner. Artists of this caliber don’t often come to smaller markets like ours. We want to be able to give him the BIGGEST audience we can.”
Jen’s right and we agree! Tickets are $20 in advance and $25 day of. So, what’re you waiting for? Let's pull out all the stops on this one. Here’s a primer, in the form of a list Jen compiled and was kind enough to share with us for your benefit.
(10) Things to Know About Midge Pre-Show:
- Midge is originally from Scotland.
- As a solo artist, he’s released (5) albums.
- As Jen attests, he’s an “incredible guitarist.”
- Ure has fronted Slik, The Rich Kids and Ultravox.
- He and Bob Geldof co-wrote “Do They Know It’s Christmas?”
- Together those two music gods co-organized Band Aid, Live Aid and Live 8.
- Midge was a Prince’s Trust Rock Gala (Eric Clapton, Kate Bush, et al.) music director.
- Jen says he sounds like Shrek, but is definitely “cuter.”
- … and looks like Jean-Luc Picard, but is “more fun.”
- He may be knighted Sir Midge any day now.
Tune into Jen's show this Wed., Oct. 5, and you may WIN TIX to see Midge live!
Midge Ure is a rock god and a Save the Children ambassador. (Photo Courtesy: Midge Ure | Photo By: Heiko Roith)
—and Then Some!
How ’bout a few bonus facts thrown in for good measure?
Ure’s debut solo album, The Gift (1985), was released after Band Aid while on hiatus from Ultravox—with “If I Was,” co-written with Danny Mitchell, reaching No. 1 in the UK and Ireland. The title track from Breathe (1996) appeared in a series of Swatch ads. You can catch a glimpse of Tyra Banks in one of them. Let me know if you do
Live 8 was produced in an effort to urge G8 leaders to get serious about ending poverty worldwide. That year, Midge was named an Officer of the Order of the British Empire for his charitable and musical endeavors. He’s also received numerous honorary degrees in Music, Law, Arts, Culture and more. Ure’s 2015 cover of David Bowie's “The Man Who Sold the World” also appears on Metal Gear Solid V: The Phantom Pain.
Get Yer Tix Today!
Still wonder why Jen's so keen on spreading the word?
Doubtful. Yet, in case you need another reason, here goes. It's a personally-penned invitation from Jen. V. herself: “I’d (love) to hang out with you, as we hear great music on Friday night. So, please, join me for the Midge Ure show at Montage!” When you see Jen? Midge? Me? Say "Hi!" (Hell, I'll even accept a high five!)
Catch Midge Ure live at The Montage Music Hall (50 Chestnut St. in Rochester) on Fri., Oct. 7th. Doors open at 7pm. The Heroic Enthusiasts hit the stage at 8pm and the night runs thru 11pm. This show falls smack dab in the middle of the first leg of Ure’s most current U.S. tour.
For tickets, go to Lakeshore Record Exchange (370 Park Ave.) or visit AlternativeMusic.com. For info, visit the “Midge Ure Presented by Lakeshore …” Facebook page. For fun, download the attached flyer and spread the world near and far: Facebook, Twitter, everywhere.
While you're at it, like Midge's Facbeook page: /Midge-Ure.
And comment on the show! (below)
|Posted by [email protected] on September 29, 2016 at 1:25 PM||comments (0)|
ROC-Arts Q&A Exclusive!
Jeff Minerd Wise Cracks About Butt Cracks, Gets Serious About Writing
By Christine G. Adamo for ROC-Arts.com
Buy one copy of The Sailweaver's Son (above) for yourself, one for a friend and, heck, one for the kid next door!
Wanna rub elbows with a local celebrity? (Hey, so did we!)
Wanna meet a bestselling author before his head swells to the size of a mysterious gas bubble high above Etherium? Then meet Rochester-based Jeff Minerd on Fri., Sept. 30, at 7pm. He'll sign your copy of his novel The Sailweaver’s Son at the Mall at Greece Ridge Barnes & Noble. If you prefer an afternoon meet-and-greet, catch him once again on Sat., Oct. 8, starting at 2pm—when he’ll be at the Webster Towne Center B&N. Tell him we said, “Hi!” while you’re at it.
First, get the inside scoop! Learn what Minerd thinks about inspiration, writing and butt cracks. (Yes, butt cracks!)
ROC-Arts: If we’re not mistaken, your son inspired the writing of The Sailweaver's Son. If so, how? If not, what did?
Local Author Jeff Minerd: In a way, he did. My book started with a dream.
I dreamt that Noah and I were writing a story together. We were taking turns writing it, but it wasn’t going well. We were struggling. It wasn’t coming together. It may have partly been an anxiety dream about my relationship with my son. I don’t get to see him as often as I’d like. Anyway, when I woke up I couldn’t remember the story we'd tried to write—but one vivid image stayed in my head: three kids sailing a sailboat through the sky. The image persisted. Lying there, in bed, I started to think about the kind of fantasy world in which you could sail a boat through the sky.
Soon the world of Etherium came to me and then the story. It was as if it downloaded itself into my head that night. Not all the details but the broad strokes: the characters, the creatures, the main plot points, the key scenes. I never had an experience like that before. A short time later, I sat down and wrote the first scene. The book progressed from there. Noah was 10 when I started writing it. He’s now 14 and just started his freshman year of high school. Writing and publishing a book takes a long time!
I recently had the pleasure of giving Noah a copy of the finished book. Of course, it’s dedicated to him.
ROC-Arts: The Sailweaver's Son is billed as Young Adult Sci-Fi/Fantasy. Yet, we’ve read it multiple times. (It's that good!) It's appeals to readers of other genres—and generations. Why is that?
Jeff Minerd: I wonder if I truly wrote a YA novel or just wrote a novel in which the main character happens to be 15.
When I was working on it, I tried to write the kind of Fantasy Adventure story I would enjoy reading. My audience was definitely me. At least, in part, so maybe that’s why adults as well as kids enjoy it? On Amazon, reviewers who’ve said nice things about the book run the gamut from a 4th-grade girl to a middle-aged man. Parents, in particular, like The Sailweaver’s Son because the hero—unlike most young Fantasy heroes—actually has parents. Yet, typically, the Sci Fi/Fantasy protagonist is an orphan.
This has held true for Frodo Baggins, Luke Skywalker, Harry Potter and countless others. It makes the character more sympathetic and simplifies the story, making it easier for writers to get their young heroes into adventures. I didn’t feel like following that well-worn path, so I tried going in a different direction. My main character, Tak, has loving parents who play a part in his story. Adults who have kids enjoy that aspect of the book, as well.
ROC-Arts: The Sailweaver's Son has gotten rave reviews at GoodReads, Amazon, etc. How does that make you feel?
Jeff Minerd: The short, honest answer is? Relieved!
While advance copies were out there in reviewers’ hands and I was waiting for reviews to come in, I was a wreck. It made me feel extremely vulnerable to have my work out there and open to criticism. I had myself convinced that no one would like the book.I envisioned public humiliation. So, when the first reviews came in and they were positive, I was overwhelmingly relieved. Since then that relief has changed to exhilaration and gratitude.
I’m pleased beyond words that people have enjoyed and connected with the book.
ROC-Arts: Our readers are curious. You have family in Rochester, NY, but have traveled/lived elsewhere, haven’t you?
Jeff Minerd: I grew up in Rochester, my dad worked for Xerox and I always loved the arts and culture here.
That includes Writers & Books, The Little Theatre and the RPO. They were and remain a few of my favorites, so I am very glad to be back here after spending a few decades away. I spent a year in Roanoke, VA, getting an MA in Creative Writing at Hollins College. After that I lived in Baltimore and Washington (DC). I worked for a nonprofit called The Writer’s Center. I did that for many years. It’s the DC counterpart to Writers & Books here in Rochester.
I was also on staff at The Futurist magazine for a while and then became a medical writer for the National Institutes of Health. I liked living both places. They’re great cities with a lot to offer, but I liked Baltimore better. It’s a wonderfully quirky and unpretentious place. On the streets of DC? You see a lot of power suits. On the streets of Baltimore? You see a lot of butt cracks.
ROC-Arts: A comedian, too? Nice! What other fiction works have you published? Nonfiction? How long have you been writing?
Jeff Minerd: I started to get serious about fiction writing when I was in my 20s.
I loved short stories and I wanted to be the next great American short story writer. But, to be honest, my work back then just wasn’t that great. It wasn’t bad, necessarily. I managed to publish a couple of stories in The North American Review. One of them, “Stepping Off,” is about an aging jazz musician. It won a prestigious award.
But, overall, I didn’t have the vision or the voice to be a truly great short story writer. As I got older, I had to let go of that dream and turn to science and medical writing to make a living. I didn’t write fiction for more than a decade and wasn’t planning on writing fiction ever again. Then one night—completely unexpectedly, as I already described—the story of The Sailweaver’s Son just came to me.
ROC-Arts: Stephen King says that's good, in On Writing. Now a bonus question! How 'bout a bit of advice for other writers?
Jeff Minerd: This is advice I wish I’d received and followed.
Writers tend to be loners and introverts, but it’s important to get out there and network. Make human connections. Let people know who you are and what you’re doing. Many publishing success stories I’ve heard involve an unknown writer being noticed and helped by someone more established. So, go to conferences. Join groups. Meet people.
I recently joined the Rochester Area Children’s Writers and Illustrators group. RACWI is a wonderful collection of people, ranging from unpublished writers to well-published and well-established authors. I didn’t have any connections, when I began trying to get The Sailweaver’s Son published. My book had to slug it out in the slush piles with all of the other books by unknown and unconnected writers.
Mostly? It lost the fight.
ROC-Arts: Well, people are gonna be fighting to get a copy of The Sailweaver’s Son. Well done, Jeff.
Meet The Sailweaver's Son Author Jeff Minerd (photo: Heather Lee).
A review of Minerd’s book The Sailweaver’s Son was recently featured in the Democrat & Chronicle. Christine Green, writing for the D&C, called it “a fun-filled, steampunk adventure perfect for the (Sci-Fi) buff in everyone.” Check out the full review here, in the paper’s Lifestyle literary column. Meet him on Fri., Sept. 20, or Sat., Oct. 8, where you can pick up your own copy of the book.
Then post your own thoughts about The Sailweaver's Son in the comments below.
|Posted by [email protected]itereviseedit.com on August 31, 2016 at 5:55 PM||comments (0)|
Sharon Jones, long-time vocalist with The Dap-Kings, comes on like a barefoot freight train.
Get Hip to “Miss Sharon Jones!” at The Little This Weekend
By Christine G. Adamo
Wanna one-word review of “Miss Sharon Jones!” (2015, 93 min.)? Humbling.
The film—produced and directed by Barbara Kopple in 2015, presented by Starz Digital and released nationwide this August—opens with a noontime screening on Sat., Sept. 3, at The Little Theatre and offers a humbling look at a year that could easily have derailed this dynamic woman whose spirited soul and vocals have infused the Grammy Award winning band The Dap-Kings with an extra shot of dimension for decades.
"Sharon's voice is like a train,” Dapette Saundra Williams cautioned. “You betta get out the way!"
As the part-live-concert, part-studio-performance and very personal documentary helps explain, this “female James Brown” and former Rikers Island corrections officer is more than just a booming voice and larger-than-life personality. She’s fronted The Dap-Kings for 20+ years. And she’s also a recent survivor of pancreatic cancer.
That particular struggle is what “Miss Sharon Jones!”—the movie—used as a vehicle to shed light on who Jones is. But, so much of what’s stood in the way of her rise to stardom has prepared her to face it head on.
"Everything I've done, in my life, takes a little longer," Jones confessed on film.
Sharon Jones fronts The Dap-Kings in Asheville, N.C., in 2010 (courtesy: Rich Orris on flickr).
She grew up the youngest of six children in what she classified “the projects.” She was determined to move her mother out of there just as soon as she could, often supporting her entire family. She’s also been called too fat. Too black. Too short. And too old.
“The guys from Sony,” she said, slung those accusations at her and made her question her ability to make a dent in the music industry. Yet? She’s made more than a little ripple. In fact, she's sure to leave a lasting impression.
"Look at me now. All this hard work has finally paid off."
"I think, all the time, ‘When I had in my head I wanted to be a star, nothing happened.’ But, when I just said, 'You know what? I just wanna sing and use this gift and let people love me for my voice—not the way I look—and enjoy my music,’ (things took off).”
Sharon Jones (center), The Dap-Kings and The Dapettes as featured in a publicity photo at SJDK online.
The Dap-Kings aren’t regularly showered with radio air time, but they have a loyal audience that spans the globe. Its membership is diverse and inclusive. Heck, Homer Steinweiss joined that band at 16 years of age! Its bass player, bandleader, lead songwriter and producer Bosco Mann (aka Gabriel “Gabe” Roth) co-founded Daptone Records and wrote “Retreat” to help ease Jones back into the fold after chemotherapy.
The animated video makes a cameo appearance in “Miss Sharon Jones!” and is worth checking out on YouTube or on the band’s official website, where you can purchase the film’s soundtrack for $10.99 (I highly recommend it). Despite a few issues with consistency of picture quality, especially during live performance footage, “Miss Sharon Jones!” is a must-see for music lovers of every persuasion and generation. Visit TheLittle.org for local show times, which run thru Wed., Sept. 7.
Post a comment. letting me know what YOU think of “Miss Sharon Jones!”
|Posted by [email protected] on July 13, 2016 at 12:50 AM||comments (1)|
Fringe 2016 - Like Jazz Fest on Ritalin?
By Christine G. Adamo
Pandora Boxx, who's appeared on Season 2 of Ru Paul's "Drag Race," will be performing in #ROCFringe16.
It started at 7am, an insider told me.
What's that, you ask? Rehearsals for this morning's 2016 First Niagara Rochester Fringe Festival "Big Reveal" at The Little Theatre.
As photogs and press types (including yours truly) guzzled downed coffee and nibbled on pastries in The Little Café, a team of folks representing Rochester Fringe were busy in Little 1 (off East Avenue): setting the stage, rehearsing their lines and cueing up a slideshow featuring the likes of Pandora Boxx, Patton Oswalt and others set to appear in the organization's 5th annual festival.
"It's like Jazz Fest on Ritalin," quipped Jeff Andrews, co-founder of the Canary in a Coal Mine sketch comedy show.
Ritalin, indeed! Sitting thru a reading of each of the festival's more than 50 sponsor names, in itself, was an exercise in patience. Newest among them? The National Endowment for the Arts. But it was worth it, if only to get a sneak peek at some of the 500+ performers and events on the 2016 roster: returning favorites like "Sient Disco" (Friday and Saturday nights), the stunning dance piece "Cordaro World" (Sept. 17 and 20 at SOTA) and SUNY Brockport graduate Elizabeth Streb's "... in SEA."
Her Extreme Action Heroes' goal, Streb said via a video clip, is to encourage folks to think: "I could go just a little bit further. I can do just a little bit more." A little bit more? How 'bout a whole lot more? Her performers climb scaffolding several stories tall and free fall onto air mattresses, making every moment look effortless and the act of submitting to gravity seem like second nature. Wanna check it out? They perform for FREE Sept. 16 and 17 in Parcel 5.
To steal a line from Pandora Boxx, the whole shebang's sure to be "gay-mazing!" And then some. Even Mayor Lovely Warren is in on the game!
Rochester Fringe 2016 runs Sept. 15-24. For details? Visit RochesterFringe.com.
|Posted by [email protected] on July 6, 2016 at 9:40 AM||comments (0)|
by Mistress Xtine
Why ROC-Arts, you ask? Uh, ... why not?!
There's always something going on in Rochester, NY. And, yet, there are so few voices you can trust when it comes to knowing what's what. ROC-Arts was founded on the belief that, in order to truly appreciate all this city has to offer, you have to be willing to venture out a bit. Get out of your comfort zone. Borrow an objective viewpoint. Follow the adventurers who've made Rochester their home-away-from-home and adopted it as their own. That's right! We're not Rochester natives. We're outsiders. Interlopers. We live here now, but we've been around!
That's a HUGE benefit to you, whether you know it or not.
Having traveled the world and the U.S., criss-crossing this expansive country by air and car and flitting from South America to Asia and various points in between, we have the insight and experience needed to offer up bona fide journalistic reviews of all things Arts & Entertainment. We're not paid to post this stuff. We simply love getting out, doing new things, meeting new people and reveling in the fact that this city is a haven for people craving inspiration, artistic influence and various perspectives. Problem is? You sometimes have to get out and look for 'em.
We make that easier, with cheeky reviews that cut to the chase. Have a suggestion? Let us know.
Leave a comment. Or reach out via the "ROC It" tab.
Happy reading! - Xtine